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Crisis, Representation and Resilience : Perspectives on Contemporary British Theatre
A collection of incisive investigations into the ways that 21st-century British theatre works with - and through - crisis.It pays particular attention to the way in which writers and practitioners consider the ethical and social challenges of crisis.Anchored in an interdisciplinary approach that draws from sociology, cultural theory, feminism, performance and philosophy, the book brings multi-faceted ideas into dialogue with the diverse aesthetics, practices and themes of a range of theatrical work produced in Britain since 2005. Topics discussed include:AgeingAusterityGenderMigrancyMulticulturalismAestheticsCompanies discussed include: Theatre UncutLost DogCamden People's PeopleLungBrighton People's Theatre Phosphoros Theatre Playwrights discussed include: Jez Butterworth Caryl Churchill Tim Crouch Vivienne Franzmann James Graham debbie tucker green Ella Hickson Charlene James Lucy Kirkwood Simon Longman Cordelia Lynn Simon Stephens Jack Thorne Chris Thorpe Gloria Williams Building on recent publications in the area and engaging in dialogue with them, Crisis, Representation and Resilience considers how crisis is being re-thought and re-orientated through theatrical performance and the ways theatre invites us to respond to the many challenges of the contemporary times.
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The World as Will and Representation, Vol. 2
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The Body in Crisis : New Pathways and Short Circuits in Representation
The Body in Crisis introduces the English-speaking world to the work of leading Latin American dance scholar and philosopher of the body, Christine Greiner.The book offers an innovative set of tools with which to examine the role of moving bodies and bodily actions in relation to worldwide concerns, including identity politics, alterity, migration, and belonging.The book places the concept of bodymedium in dialogue with the work of Giorgio Agamben to investigate notions of alterity, and shows how an understanding of the body-environment continuum can shed light on things left unnamed and at the margins.Greiner’s analyses draw from a broad range of theory concerned with the epistemology of the body, including cognitive science, political philosophy, evolutionary biology, and performance studies to illuminate radical experiences that question the limits of the body.Her analysis of the role that bodies play in negotiations of power relations offers an original and unprecedented contribution to the field of dance studies and expands its scope to recognize theoretical models of inquiry developed in the Global South.
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AIDS and Representation : Queering Portraiture during the AIDS Crisis in America
AIDS & Representation explores portraits and self-portraits made in response to the AIDS epidemic in America in the 1980s and 1990s.Addressing the work of artists including Mark Morrisroe, Robert Blanchon and Felix Gonzalez-Torres through the interrelated themes of sickness and mortality, desire and sexual identity, love and loss, Fiona Johnstone shows how the self-representational practices of artists with HIV and AIDS offered a richly imaginative response to the limitations of early AIDS imagery.Johnstone argues that the AIDS epidemic changed the very nature of visual representation and artistic practice, necessitating a radical new approach to conceptualising and visualising the human form.An extended epilogue considers the ongoing art historicization of the epidemic, re-contextualising the book’s themes in relation to contemporary photographic works. More than just a historical discussion of the art of the AIDS crisis, AIDS and Representation contributes to an emergent body of scholarship on the visual representation of illness.Expanding the established genre of the autopathography or illness narrative beyond the predominantly textual, this important contribution to art history and health humanities sensitively unpicks the entanglements between aesthetic form and the expression of lived experiences of critical and chronic ill health.
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What is the polar representation of a Cartesian representation?
The polar representation of a Cartesian representation is a way of expressing a point in the Cartesian plane using polar coordinates. In the polar representation, a point is described by its distance from the origin (r) and the angle it makes with the positive x-axis (θ). This is in contrast to the Cartesian representation, which describes a point using its x and y coordinates. The polar representation provides a different way of understanding and visualizing points in the plane, and it can be useful in certain mathematical and scientific contexts.
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Which representation method?
The representation method that should be used depends on the specific data being analyzed and the goals of the analysis. For categorical data, bar graphs or pie charts are commonly used to show the distribution of different categories. For numerical data, histograms or box plots can be used to visualize the distribution and central tendency of the data. Scatter plots are useful for showing the relationship between two numerical variables. Ultimately, the best representation method is one that effectively communicates the key insights from the data in a clear and concise manner.
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What is the linear factor representation and the polynomial representation?
The linear factor representation of a polynomial is a way of expressing the polynomial as a product of linear factors. For example, the linear factor representation of the polynomial x^2 - 4 is (x-2)(x+2). This representation helps in finding the roots of the polynomial. The polynomial representation is the standard way of expressing a polynomial as a sum of terms, each containing a variable raised to a power. For example, the polynomial representation of x^2 - 4 is x^2 - 4. This representation helps in performing operations like addition, subtraction, multiplication, and division of polynomials.
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Is the standard representation the same as the exponential representation?
No, the standard representation and the exponential representation are not the same. The standard representation of a number is typically in the form of a decimal or fraction, while the exponential representation is in the form of a number raised to a power. For example, the standard representation of 100 is simply "100," while the exponential representation is "10^2." These two representations convey the same value but are written in different forms.
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Multiple Representation Dice
Young learners will be on a roll with numbers and number sense with these Multiple Representation Dice. This set of 16 dice feature 4 different ways to represent a number, to support childrens learning of number sense. Includes 10 frames, base 10,
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Deflating Mental Representation
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Schopenhauer: The World as Will and Representation: Volume 2
The purpose of the Cambridge Edition of the Works of Schopenhauer is to offer translations of the best modern German editions of Schopenhauer's work in a uniform format for Schopenhauer scholars, together with philosophical introductions and full editorial apparatus.The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion.This second volume was added to the work in 1844, and revised in 1859.Its chapters are officially 'supplements' to the first volume, but are indispensable for a proper appreciation of Schopenhauer's thought.Here we have his most mature reflections on many topics, including sex, death, conscious and unconscious desires, and the doctrines of salvation and liberation in Christian and Indian thought.Schopenhauer clarifies the nature of his metaphysics of the will, and synthesizes insights from a broad range of literary, scientific and scholarly sources.This new translation reflects the eloquence and power of Schopenhauer's prose, and renders philosophical terms accurately and consistently.It offers an introduction, glossary of names, bibliography, and succinct editorial notes.
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Schopenhauer: 'The World as Will and Representation': Volume 1
First published in 1818, The World as Will and Representation contains Schopenhauer's entire philosophy, ranging through epistemology, metaphysics, philosophy of mind and action, aesthetics and philosophy of art, to ethics, the meaning of life and the philosophy of religion, in an attempt to account for the world in all its significant aspects.It gives a unique and influential account of what is and is not of value in existence, the striving and pain of the human condition and the possibility of deliverance from it.This translation of the first volume of what later became a two-volume work reflects the eloquence and power of Schopenhauer's prose and renders philosophical terms accurately and consistently.It offers an introduction, glossary of names and bibliography, and succinct editorial notes, including notes on the revisions of the text which Schopenhauer made in 1844 and 1859.
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What is interest representation?
Interest representation refers to the process of advocating for the interests and concerns of a particular group or organization to policymakers, government officials, or other decision-makers. This can involve lobbying, public relations, and other forms of communication to influence policy decisions in favor of the represented group. Interest representation is a key component of democratic societies, as it allows for diverse voices and perspectives to be heard in the policymaking process. It is often carried out by professional lobbyists, advocacy groups, trade associations, and other organizations that work on behalf of their members or constituents.
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What are representation matrices?
Representation matrices are matrices that represent linear transformations or operators. They are used to represent the action of a linear transformation on a vector space. The elements of the representation matrix correspond to the coefficients of the linear combination of the basis vectors of the vector space. By using representation matrices, we can easily perform operations such as composition of linear transformations and finding the inverse of a linear transformation.
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Is there a complete representation of a Hello World program?
Yes, a complete representation of a Hello World program typically consists of a simple program that outputs the phrase "Hello, World!" to the screen. This can be achieved in various programming languages, such as Python, Java, C++, and many others. The program serves as a basic introduction to a new programming language and is often used as a first example for beginners to understand the syntax and structure of the language.
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What is the correct grammatical representation of the term fixed-point representation?
The correct grammatical representation of the term fixed-point representation is a compound noun. In this term, "fixed-point" acts as an adjective describing the type of representation being discussed. The hyphen between "fixed" and "point" indicates that these two words are functioning together as a single unit modifying the noun "representation." This grammatical structure helps clarify that the representation being referred to is specifically of the fixed-point type.
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